Role:  Lead level/lighting artist 

       Unreal Engine 4.21 - baked lighting

I was in charge of great 3d art team:  Ryszard Stanoszek, Sebastian Berczyński, Patryk Michalik, Rafał Tlałka, Tomasz Knopik, Ola Maj, Paweł Mikulewicz, Tobiasz Szyjanowski, Ola Zając, Constantine Corol, Kewin Krawczyk, Marek Brzyśko, Robert Fleta throughout entire production to provide best possible multiplayer expirience in terms of map flow and visuals. I am very thankful and proud of the team for their hard work. The best way to describe my role in a team would be: a guy who holds and puts everything together.  Initial level design and art blockouts, map reworks, visual identification and color palettes, meshing/level art, lighting, final material setups and polishes - these were the areas where I had spend most of my time during this 8 year production cycle.  

  TOKYO 

reworked map direction:  reworked level design and meshing to improve flow, new lighting and visual identyfication to improve navigation on the map

DMZ

level design and art direction, meshing, lighting and visual identyfication

DUNHUANG DESERT

reworked map direction:  reworked level design and meshing to improve flow, new lighting and visual identyfication to improve navigation on the map

POLARNYJ

level design and art direction, meshing, lighting and visual identyfication

  

Flying whale - cargo plasma ship (2015)

                                                

                                                Reconnaissance ship - high poly (2013)

Gorilla robot test (2011)

HP

Unannounced UE5 project

This UE5 project is under NDA. 

WC terrain samples and exploration tests for the project

Scar Mk 16 - low poly normal map view (2011)

Scar Mk 16 - high poly (2011)